A long-overdue reissue of Abigail’s fourth studio album from 2005, and an album dedicated to the memory of Kurt Struebing of NME. “Ultimate Unholy Death” represents a milestone in Abigail’s evolution from a more traditionally-defined black metal band to one that began infusing elements of thrash and metal punk, in a similar vein to that of Motörhead, to achieve a sexually-depraved and alcohol-soaked sound that has become its current trademark.